Ikhtitaf fi Assaraya (After the Overture from "Die Entführung aus dem Serail", K. 384)
O'stravaganza (After Vivaldi's Sinfonia, RV 168)
Al Sahm al Taéh (After Mozart's "Soave sia il vento" from Così fan tutte, K. 588)
Sankanda (traditionnel arr. P Akendengué)
Concerto for Oud & Piano (After the Second Movement from Piano Concerto No. 23 in A Major, K. 488)
A Chlàrsioch (After Vivaldi's In furore iustissimae irae, RV 626)
Ya Shady Symphony (After Mozart's Symphony No. 40, K. 550)
Pepa Nzac Gnon Ma (traditionnel arr. P. Akendengué): Prélude de la Partitia pour violon no3
Yaman Hawa (After the Overture from "Thamos, König in Aegypten", K. 345)
Ceol Cuàine (Dances of the Wolves)
La reine des mille et une nuits (After Mozart's The Magic Flute, K. 620)
Cantate 147
Symphonie égyptienne (After the Symphony No. 25 in G Minor, K. 183)
Eirin Sonata (After Vivaldi's Cello Concerto, RV 407)
Layla Misriya (After Mozart's Serenade No. 13, K. 525 "A Little Night Music")
Mayingo (traditionnel arr. P. Akendengue): Fugue sur Mayingo (T. Gubitsch)
Mahdiyat (After Flies's "Wiegenlied", Formerly Attributed to Mozart as K. 350)
Estro-Reel (After Vivaldi's Violin Concerto, Op. 3 No. 3, RV 310)
La querelle au sérail (After Mozart's "Marten aller Arten" from The Abduction from the Seraglio, K. 384)
Was Mir Behagt, Ist Nur Die Muntre Jagd (Chorus "La Chasse" - J.S.Bach arr. P. Akendengué et H. de Courson)
Hamilu Lhawa Tahibou (After Papageno's Aria from "The Magic Flute", K. 620)
Damhsaigh (After Vivaldi's Lute Concerto, RV 93)
Marche égyptienne (After Mozart's Piano Sonata, K. 331 "Alla turca")
Agnus Dei (Messe en si BWV 232 - arr. P. Akendengué)
Double Quartet in E-Flat Major (After the Variations on "Hélas j'ai perdu mon amant", K. 360)