Fili mi Absalom, SWV 269 (No. 13 from "Symphoniae sacrae I, Op. 6 - Venice, 1629")
Sonata pian e forte, Ch. 175 (No. 33 from "Sacrae symphoniae, Liber 1 - Venice, 1597")
Diferencias sobre "La dama le demanda" (From "Obras de musica para tecla, arpa y vihuela - Madrid, 1578" - Version with 5 Sackbuts)
Attendite popule meus legem meam, SWV 270 (No. 14 from "Symphoniae sacrae I, Op. 6 - Venice, 1629")
6 Airs or Canzonets for Three Voices: No. 5, Gush Foorth My Teares (No. 63 from "The Cittharn Schoole - London, 1597" - Version with 5 Sackbuts and Basso Continuo)
Lachrimae, or Seven Tears: No. 12, The Earl of Essex Galliard (Version with 5 Sackbuts and Basso Continuo)
The Funeralls (No. 31 from "Pavans, Galliards, Almains and other Short Aeirs - London, 1599")
Lachrimae, or Seven Tears: No. 11, The King of Denmark's Galliard (Version with 5 Sackbuts and Basso Continuo)
Newe auserlesene Branden, Intraden, Mascheraden, Baletten: No. 18, Der Satyrn Tantz, a 5
Newe auserlesene Branden, Intraden, Mascheraden, Baletten: No. 16, Ein schottisch Tantz, a 5
Newe auserlesene Branden, Intraden, Mascheraden, Baletten: No. 43, Der Pilligrienen Tantz, a 5
Newe auserlesene Branden, Intraden, Mascheraden, Baletten: No. 28, Des rothschenken Tantz, a 5
3 Glosas sobre el canto llano de la Immaculada Concepción, FO 69 (No. 69 from "Facultad organica - Alcala, 1626" - Version with 5 Sackbuts and Basso Continuo)
Paduan a 4, SSWV 43 (No. 5 from "Ludi musici I - 1621")
Galliard a 4, SSWV 45 (No. 7 from "Ludi musici I - 1621")
Courant a 4, SSWV 61 (No. 23 from "Ludi musici I - 1621")
Alamande a 4, SSWV 54 (No. 16 from "Ludi musici I - 1621")
Canzon prima a 5, Ch. 195 (No. 1 from "Canzoni et sonate - Venice, 1615")
Canzon a 8, Ch. 202 (No. 8 from "Canzoni et sonate - Venice, 1615")